Sunday 26 January 2014

Dawn of the Dead (2004) Opening - Enigma Codes, Action Codes & Camera

When watching Dawn of the Dead you understand that the equilibrium is the nurse and her boyfriend living a 'normal' and 'average' life. Through a mixture of dialogue and camera the audience interpret that the nurse is a relaxed but hard-working person and lives a generally happy life. The disequilibrium occurs when the girl appears in the room (6:37). And the agent of change is the zombie outbreak. There are plenty of enigma codes throughout this opening. Some of the enigma codes include: News bulletin, What happened to the little girl?, How widespread is the outbreak?, How did the outbreak start?. We are also given some action codes. There is a patient that arrives at the hospital with a “bite”, so through the use of dialogue and mise-en-scene we are given answers like how the outbreak is starting etc.

This opening is filled with a range of camera techniques. One of the techniques is a POV shot. This shot shows a pair of legs hanging out the end of a parked ambulance. This puts you into the characters mind as you and her wonder what is going on in the vehicle. As well as being an interesting shot this also produces an enigma code, is this the first zombie? However this scene is a 'red herring', you're lead to believe that the zombie outbreak has started while in fact it is just an ordinary person. Another shot used was a shot-reverse-shot, this shot was used to create tension. In this opening a 'bird's eye view' has been used for one of the shots, it has been used to show the normality of the world. However later on an aerial shot is used, this happens after the outbreak, it's used to contrast the earlier shot. The track technique is another type of shot used in this opening. This one is used to show the setting, it familiarizes the audience with the surroundings.

Sunday 19 January 2014

The Difference in Film's Opening Credits

I have recently watched the opening credits for the following films: Shallow Grave, Casino and Twelve Monkeys. These are descriptions of what happens and the differences between them.

Shallow Grave
This film doesn't have many titles during it's credits. The probable reason behind this is that the film isn't a major blockbuster and the director isn't a well known person (yet). Therefore the film doesn't need to waste time showing you the director's name when it is likely you have never heard of him before. These are the credits:
Film four international in association with the [continued]”. This is scrolling right to left as white text on a red background. A voice over begins whilst a scene is being shown.
Next you are shown the actor's names “Kerry Fox”, “Christopher Eccleston”, “Ewen McGregor”. At the time of release Kerry Fox was the most famous star so she was listed first in the titles. These names are also in white text however this time it appears over the film rather than a solid colour background.
The final piece of text you see in these opening credits is “Shallow Grave”. This text is in red on top of the film.
'Smaller' films generally include a low amount of titles in their credits as they don't want to risk losing the audience and want to get straight into the film. Having some of the titles appear on top of the movie also suggests that the film-makers just wanted to start showing the film. It seems silly for a not very well known group of film-makers to be blasting the names of various production staff. From this opening you understand that the credits are not an important part of the film in Danny Boyle's opinion.

Casino
Martin Scorsese is one of the most respected directors out there, this means that many people will at some point in their lives be watching this film. With that in mind it would seem crazy to guess that the opening credits will be quite long and feature many names. In this opening a certain font is used that gives you a casino-like vibe, it is a very classy font.
This is what the credits show:
Universal Pictures and Sylalis D.D. & Legende Enterprises Present”. This appears as white text on a black background.
A De Fina/Cappa Production”. Also as white text on the same black background.
Adapted from a true story”. White text. Black background.
1983”. White text. Black background.
(A few seconds later after a voice over)
A Martin Scorsese Picture”. White text but this time on film. From here we see a quite shocking first scene.
Robert De Niro”. White text on top of the same scene.
Sharon Stone”. White text. Same scene.
Joe Pesci”. White text. Same scene.
Casino” (drifiting). White text. On film.
James Woods”, “Don Rickels”, “Alan King”. There are fade-outs and fade-ins for each name. The names are now on top of a different type of background. What is on top of the background is hard to recognise however you still get the sense of the 'casino' theme.
Kevin Pollak”.
L.Q. Jones”.
Dick Smothers Frank Vincent John Bloom”.
Casting by Ellen Lewis”.
Costume Designers Rita Ryack and John Dunn”.
Title Sequence by Elaine & Saul Bass”.
Editor Thelma Schoohmaker”.
Production Designed by Dante Ferretti”.
Director of Photography Robert Richardson A.S.C.”.
Based on the book by Nicholas Pleggi”.
Screenplay by Nicholas Pileggi & Martin Scorsese”.
Produced by Barbara De Fina”.
Directed by Martin Scorsese”.
Now that is a very long opening sequence. You could say it has been created like this to create tension, especially after what happens part way through the credits. You can definitely see the differences in opening credits when you compare Shallow Grave with Casino. Casino has a much flashier and more elegant opening whilst Shallow Grave has a simple, extremely short one. But then again there is one similarity. Both opening credits feature a voice over at some point.

Twelve Monkeys
Universal Pictures and Atlas-Classico Present” White text on a black background.
An Atlas Entertainment Production”
...5 billion people will die from a deadly virus in 1997...[continued]” This appears in a green font, the text is displayed like it is being typed up whilst you are watching. You also hear the 'typewriter' sound effect. These credits give you a sense of what this film is likely to be about. You instantly are able to deduce what kind of movie you are likely to witness.
excerpts from interview [continued]” White font on the same background as above. However when this segment is then added on you are given a sense of confusion.
A Terry Gilliam film” Scrolling from right to left. This appears on a very different background displaying images of monkeys in a 3D spiral effect.
Bruce Willis” Also scrolling from right to left. The rest of the credits follow on from one another each scrolling from right to left.
Madeleine Stone”
Brad Pitt”
Twelve Monkeys” This title appears at the 'back' of the screen in very small font in slowly gets bigger to reveal to the audience what it says.
One of the similarities between all three films is each film displayed their actors in the order of most famous to least. However Casino also showed many more members of the production whereas Twelve Monkeys and Shallow Grave only gave us the actors' names. Something Twelve Monkeys and Shallow Grave did differently to Casino was end with the title.

Reservoir dogs
This film begins with a scene in a diner that introduces the characters whilst showing you part of their personalities. Then you are shown the credits. A voice over is playing when the credits start.
A Film by Quentin Tarantino”. This is in orange font on a black background.
It then cuts back to the film, the characters are walking down a street.
Harvey Keitel”. This again is in orange font but now on top of the film. Each actor title from now is shown beside the character on the film.
Michael Madsen”. Orange font. Black Background.
Chris Penn”.
Steve Buscemi”.
Lawrence Tierney”.
Eddie Bunker”.
Quentin Tarantino”.
and Tim Roth”.
are”.
Reservoir Dogs”. This title scrolls up from 'underneath' the screen.
Then it goes back to the black background.
Randy Books”, “Kirk Baltz”, “Rich Turner”, “and the voice of”, “Steven Wright”. All appear one after the other scrolling up on the left hand side of the screen.
Casting” “Ronnie Yeskel, C.S.A.”.
Music Supervisor” “Karyn Rachtman”.
Costume Designer” “Betsy Heimann”.
Editor” “Sally Menke”.
Prodcution Designer” “David Wasco”.
Director of Photography” “Andrzej Sekula”.
Co-Producer” “Harvey Keitel”.
Executive Producers” “Richard N. Gladstein” “Ronna B. Wallace” “and” “Monte Hellman”.
Produced by” “Lawrence Bender”.

Considering that this is Quentin Tarantino's first feature film it is quite surprising how large the opening credits. His name is also shown twice in the credits, some may find this ballsy and arrogant as he isn't as famous. Back then he wouldn't have been as well known and loved as he is now. However ultimately it seems it does pay off as this film ends up being brilliant. It still is worth remembering though that not all rookie's first films will end up as great as this one has, so it is safer to not go through a credit scene as long as this. He does make it work very well by creating a unique sequence. Having the actor's name pops up next to the character is a great touch.