Monday, 21 April 2014

Evaluation - Question #2

How does your media product represent particular social groups?


The opening to A Dish Best Served Cold doesn't feature many characters. In fact there are only 2 that can be classed as "main characters" and one of them dies by the end of the opening. However I have still used the characters for representation. I made sure that the character that died (Jonah) was wearing an Ipswich top to show the audience where the film was set. For me I wanted to create something more interesting than just a caption on the screen explaining where the film was based.
With Jules I made the actor where 'ordinary' clothes to make him seem like any other person living in the town. The character isn't supposed to have a stereotypical look that gives him away as a murderer. He wears a casual jacket and jeans to present him just like everyone else.
Since my actor's ages were roughly around the same age I wanted the characters to be I didn't have to change anything to do with appearance in that sense. The actors also didn't need to incorporate any extra factors whilst shooting because of this.
In terms of accents the actors were once again fine as the characters they were playing are from the same town as themselves.
And again my actors are around the same age as I wrote the characters to be. So no special details were used to persuade the audience to believe the characters were of a different age.

Sunday, 20 April 2014

Evaluation - Question #1

In what ways does your media product use, develop or challenge forms and conventions of real media products?


Just like a real film my film features a range of action and enigma codes. Since the genres of my film are detective/thriller/horror, plenty of enigma codes definitely enhance the effectiveness of the opening. Some enigma codes I have included in my opening ask things like: character decisions, what characters do, what some items mean. One specific example is when I don't reveal the main character's face (Jules), the audience question who's life they are watching.

For my story I decided to follow 3 distinct genres, one being broad (horror) and the other 2 being more specific (thriller and detective). Real films often have multiple genres attached to their name. To show that my film are these genres, I have included various techniques in my opening. At the start of the opening there are 2 production companies shown. Right at the start the titles of the production companies instantly give off a certain tone for the film.


The word 'perimo' means 'to kill' in Latin, that word along with the image of the magnifying glass give off a mysterious vibe. Connecting to the 'detective' genre. The other production company is 'Slime Productions', I felt that the animation shown for this company linked to the horror genre I was aiming for. I also emphasized the genre through sound. Towards the end of the opening a sting begins to play, stings like that are often found in thriller movies.

Related to that are the titles. I have used, for the title and the actor/director credits, a font called 'Comeback of the Damned'. I specifically chose this font because it created this fantastic horror vibe. Another reason was because in the back of my mind I had planned to get Jules to write some letters to people, and this font was in the style of a person's handwriting, so it fit perfectly.

Much like a real film I also targeted characterisation as an element I should focus on. Jules Blonde is a mentally unstable killer. To show his instability I made the actor perform a certain way. Towards the beginning of the film I needed Jules to prepare a meal. Since he has this insane mind I made the character grab a banana and randomly chop it to pieces. The fact that it's a banana and out of nowhere he just chops it and leaves it leave the audiences a sense of astonishment, they are wondering why the character would behave so strangely.



Another one of Jules' traits is that he believes he is always the smartest person in the room. I researched and found out that classical music often correlates to “self-perceived intelligence”. This made me include that piece of music at the start of the opening, it was to suggest the big-headedness of the character.

Through mise-en-scene I also attempted to show more about the characters. One of the key parts of the costumes in my opening was that I wanted Jules to wear dark colours. The darkness gives the obvious connotations of evilness, and Jules is an evil character - he kills people.


Jules wearing dark-coloured clothes

To help further the plot points I manipulated the camera into certain positions. For example near to the start of the opening I have shot a close up of a newspaper article. The newspaper states "killer murders tenth policeman". The fact that it is a close up shot, and that I have kept the camera on the prop for such a long amount of time tells the audience that this is an important detail. This shot can also be seen as another enigma code.


Another prop I made sure received a lot of focus was the knife. I gave it so many close ups as foreshadowing, as you can see in the opening it foreshadows the death of the character at the end of the opening.


Evaluation - Analysis of Own Film

Here is a video I created that shows my own personal analysis of my film. I have mentioned why I shot scenes in certain ways and what action/enigma codes I used etc.


Thursday, 17 April 2014

Evidence of Production

Here are some video clips that show me at sets etc.

At one of the sets.

Walking to a different location with 2 of the actors.

Moving unnecessary objects from a set.

Tuesday, 15 April 2014

The Opening to my Film - A Dish Best Served Cold

Here is the opening to A Dish Best Served Cold:



In the description I have included the name's of the people that created the music and sound effects.

Premise and Synopsis of My Whole Film (A Dish Best Served Cold)

A Dish Best Served Cold – Synopsis

The film begins in Ipswich, a relatively highly-populated town which hasn't been affected by major crime (murders etc.) for 5 years. Jules Blonde (a mass-murderer) is in his home making a strange meal. He ventures out of his house to find a man named Jonah Liefeld. Jonah is taking part in the same cooking competition as Jules. Once Jonah has been found Blonde lures the man back to his home by implying his “sister” is in trouble and needs help. Back at his house Jules viciously stabs Jonah to death whilst shouting about how he is going to “win this competition” and that he has “missed killing”.
Eames Kubrick, the only detective in Ipswich, is sitting doing nothing at his home. He and his wife argue about him needing to get out more. Kubrick then goes to bed. In the middle of the night the doorbell goes. Eames answers the door to see Mrs.Liefeld, the wife of Jonah Liefeld. She explains to the man that her husband has gone missing and that he never has been away for more than a few hours from her. Eames attempts to get as much information as he can about the missing person. Just so he can get rid of the case as soon as possible, he doesn't like uncertainty.
The following day Dick Ramis is hopping at a supermarket. He is buying the most expensive wine. Other shoppers stare in astonishment, Ramis is known as one of the greatest chefs in the town. Dick leaves the shop with his expensive wine and expensive food. Waiting in the shadows outside the store is Jules. Blonde is aiming for Ramis to be his next victim. Stealthily as possible Jules follows the great chef back to his home. Since Dick is so famous, almost everyone knows where his house is located. Therefore, Jules already had his plan laid out of how to follow without being spotted. However Jules isn't the greatest at being stealthy; Dick knows that he is being followed. Once Dick arrives at the gates of his land he shouts explaining he knows he was being followed. Jules jumps out from the shadows and stabs Dick in the back. Ramis returns the favor by smashing the bottle of wine against Jules. A fight occurs between the two men. The fight is so loud that nearby pedestrians notice it. However they aren't quick enough to stop it. Jules successfully murders the man and flees quickly from the scene. Due to the body being left at the scene the murder becomes big news in the daily papers and on TV.
The next day Eames visits his local corner shop. Inside the shop all the newspapers explain of Dick Ramis' death. As the town's only detective Kubrick is angry that he wasn't told about death.
Kubrick visits the scene of the murder, because there are no policemen in the town there is no tape sealing off the public from the victim. Eames pushes everyone aside to study Dick's body. Eames pulls out his mobile and calls Leia Sullivan; one of Eames greatest friends back when the police were around. She arrives at his location. They discuss the situation and find fingerprints on the victim.
Jules is in his bedroom. He pulls out a notepad from one of his drawers. On one of the pages in the notepad is a list of names. There are 8 names listed on the page, with 6 of them crossed out. On the back of this page is the name "Eames Kubrick" bold an circled. This list was written by Jules as a reminder to which people where there when his sister died six year ago. These 9 policemen and detectives weren't able to rescue Jules' sister in time, therefore Jules believed that those 9 men should also die. He managed to kill 6 of them 5 years ago, however he was forced to stop when the heat became too hot.
Back at Kubricks' home Leia and Eames are studying a diagram they have created. Eames believes the disappearance of Jonah Liefeld is linked to the murder of Dick Ramis. The duo come to the conclusion that they should travel to the closed down abandoned police station to see if the fingerprints they have found link to any on the database.
Also on the way to the police station is Jules Blonde, he's travelling there to get more information on the men on his list. Since the police station is so run down Jules has to hop of fences and break into windows to get inside. Searching through various rooms he keeps looking for the information, he is desperate for it.
Down the road Eames is in his car driving to the station. He arrives at the building, luckily for him he can just unlock the gates and doors as Leia kept her old key. Since Jules is eager to find the details he is making a lot of noise. Eames hears this and follows the noise right down to Jules' location. At the last second Jules realises that there is someone else in the building, he grabs the intel he already has and sprints, looking for any exit. Eames follows, also sprinting. A large chase occurs. Eames belives that he has cornered Jules, seeing a dark figure sitting down at the end of a small, dark room. Eames flicks on his torch revealing a dead hobo as the figure, Jules escaped. But Eames now has an idea of what the murderer looks like.
Back at his home Eames uses the fingerprint on the software he found and is astonished to see that the man they are hunting is Jules Blonde, the man he tracked down 5 years ago for the murder of 6 people.
The cooking competition Jules has been preparing for starts the following day. Without the 2 highly-rated competitors (Dick and Jonah) unable to attend Jules believes he has a great chance of coming first.
Over at the Kubrick household, Leia arrives with urgent news. She explains to Eames that from the evidence they have found the only conclusion, however unlikely, is that the murderer is killing people in the cooking competition. The two argue with Eames describing the event last night and how Jules wants to kill the policeman, not chefs. The discussion ends with Leia travelling to where the competition is being held and Eames travelling to one of the policeman's homes.
Once inside Leia notices a man fitting the description Eames used to describe the man at the chase the night before. Leia calls Eames and tells him of what is happening, Eames turns his car around to get to her location. Whilst cooking Leia also notices that the man, who is Jules Blonde, is using a knife that fits the description of the one that was used to kill Dick.
Jules does win the competition and collects his trophy at the end. Sullivan approaches Blonde and asks him to come with her for questioning, at that moment Eames enters the building with gun in hand. Upon seeing whom Jules calls his "arch-nemesis" in Eames Kubrick, Jules grabs Leia and puts a knife to her throat. Jules shouts, telling Eames to put his gun down. He does not wanting any harm to come to his best friend. But instantly afterwards Eames swiftly pulls out another gun from his pocket and shoots Jules in the arm. He drops his trademark knife and falls to the ground.
Jules is taken to a prison in a nearby town, as there is nowhere to place him in Ipswich. His last words to Eames Kubrick are of how he will get his revenge on Eames eventually.

Premise of the Film

I wanted to write and direct a film where the audience could join in with the detective character on screen (Eames) in working out why Jules is murdering these people. Using the camera I would show hints on why the character was doing it. For example in the opening I will include a shot of Jules making a meal, this tells the audience that he enjoys cooking. A film-maker wouldn't include a scene like this if it was of no importance. Of course the audience has an advantage as they know who is committing these acts whereas Kubrick has no clue. However I wouldn't make it tedious work for the audience, I'd treat it as optional fun.

Tuesday, 1 April 2014